UFC Connected: Israel Adesanya, Kamaru Usman, Nick Peet, John Wood

In this episode, we explore what makes up the ‘Warrior Code’ of UFC Welterweight Champion, Kamaru Usman. We take a ‘Front Row’ seat in Adelaide, with UFC middleweight champion, Israel Adesanya, for Shogun Rua vs Tyson Pedro. In Fight Nation, journalist Nick Peet explores why Australia has become a powerhouse region for MMA. And Syndicate MMA head coach, John Wood, shares his unique perspective of the fight game in ‘Coach’s Corner’.

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Honest Trailers | Spider-Man: Far From Home

This episode is brought to you by Movies Anywhere. It’s not a collection until it’s all in one place. Bring your movie collection together today at https://moviesanywhere.com/welcome

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5 Most EXTREME Bound For Glory Moments EVER! | IMPACT Plus Top 5

Bound For Glory has provided some of the wildest, most insane, most hardcore moments of all time! These are the Top 5 Most EXTREME BFG Moments!
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#1 in the WORLD w/ New WITCH + WALL BREAKER cycle deck!? #BUFFED

Install Raid for Free ✅ IOS: https://link.plrm.zone/install/raid/dbn1/ClashWithAsh2/ios ✅ ANDROID: https://link.plrm.zone/install/raid/dbn2/ClashWithAsh2/android and get a special starter pack 💥 Available only in the next 30 days. Check out my Raid Shadow Legends videos later this week and follow my journey!

Clash Royale’s pro tips series continues on CWA Mobile Gaming! Today we’ll review the new Witch and Wall Breakers after their buff in the last balance update. French pro Ruuskov will play his favorite new Miner poison cycle deck with the reworked Witch and Wall breakers are top ladder live. We’ll also watch a couple of his trophy pushing replays that lead him to achieve the #1 global rank. Enjoy and good luck in the arena!

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Why Coraline Is So Creepy

Halloween season is here so let’s talk about one of our favorite scary movies.
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Coraline might technically be a ‘kids movie,’ but that doesn’t make it any less scary. The stop-motion animated flick was inspired by Neil Gaiman’s 2002 book of the same name. Up to that point in his career, Gaiman had made a habit of treading in the realm of horror and fantasy. His work geared specifically towards adults, but Coraline was his first attempt to craft something with a younger audience in mind.

Despite his younger target audience, Gaiman didn’t shy away from some truly horrifying subject matter. That subject matter was expertly captured by filmmaker Henry Selick. Selick was actually Gaiman’s first choice to direct the film, as he’d been a fan of Selick’s other works: ‘The Nightmare Before Christmas’ and ‘James and the Giant Peach.’

Selick’s style doesn’t shy away from its creepier tendencies – a perfect fit for Gaiman’s novel. Anyone who’s seen one of his films can attest to that. His stop motion animation is simultaneously charming and unsettling. His character models are slightly exaggerated and his monsters are the stuff of genuine nightmares. It’s also in the way his scenes are lit. It’s not bright or chipper. There are shadows and dynamic lighting to emphasize just how unsettling the film’s subject matter is.

Beyond the disturbing visuals, it’s the subject matter itself. Coraline’s genuine fear for her life, the fear that her ‘Other Mother’ will sew buttons onto her eyes. There’s some heavy stuff here that’s sure to give kids nightmares. Let’s take a closer look to determine why Coraline is so effective in its creepiness.

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Atlantics | Official Trailer | Netflix AU

After a group of unpaid construction workers disappears at sea one night in search of a better life abroad, the women they have left behind in Dakar are overwhelmed with a mysterious fever. Ada, 17, secretly grieves for her love Souleiman, one of the departed workers, but she has been promised to another man. After a fire breaks out on her wedding night, a young policeman is sent to investigate the crime. Little does he know that the aggrieved workers have come back as haunting, possessive spirits. While many of them seek vengeance for their unpaid labor, Souleiman has come back for a different purpose – to be with his Ada one last time.

Winner of the Grand Prix at the 2019 Cannes Film Festival, ATLANTICS marks the feature narrative debut of director Mati Diop. Only on Netflix 29 November.

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Atlantics | Official Trailer | Netflix AU
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In a suburb of Dakar, 17-year-old Ada falls in love with young construction worker Souleiman, who returns to the neighborhood after disappearing at sea.